Dispatches from the Empire


The Art of Solitude

To be able to die at peace, a philosopher needs to die to his attachments to the world. This, for Montaigne, is “true solitude,” where one’s thoughts and emotions are reined in and brought under control. “To prepare oneself for death is to prepare oneself for freedom. The one who has learned to die has unlearned to be a slave.”

To die to the world is far from straightforward. “People do not recognize the natural sickness of their mind,” says Montaigne, which does nothing but “ferret about in search of something, ceaselessly twisting, elaborating, and entangling itself in its own activity like a silkworm, until it suffocates there like ‘a mouse in pitch.’ ” We rush around in a compulsive flight from death. “Every moment,” he remarks, “it seems I am fleeing from myself.” No matter how many laws or precepts we use to fence the mind in, we still find it “garrulous and dissolute, escaping all constraints.” This flight is chaotic and aimless. There is “no madness or lunacy that cannot be produced in this turmoil. When the soul has no definite goal, it gets lost.”